Death photography

See caption
Portrait of the German architect Carl Weber with his deceased wife Emily of Stratford, 1850
Wikimedia Commons

Death photographs, also known as post-mortem photographs, are commemorative pictures of recently deceased loved ones. They were particularly popular during the Victorian era, a time when “life was suffused with death”.[1] Suppressing the realities of death by commemorating it in a familiar setting, may have brought comfort to the bereaved.[2]

The invention of the daguerreotype in 1839 made portraiture commonplace. Many of those unable to afford the commission of a painted portrait, as the wealthier members of society were able to do, could afford to sit for a photography session,[3] providing the middle class with a way to remember their dead loved ones. And the long exposure times required by early photographic techniques made the deceased relatively easy subjects, as they were unlikely to move.[4]

As cheaper methods of photography were introduced in the 1850s, the popularity of post-mortem pictures began to wain, as most families could then have photographs of the bereaved taken while they were alive.[1]

Attitudes to photographs of the dead shift with attitudes to death itself and respect for the integrity of the individual. The post‐mortem and memorializing functions of photographs are related to photography’s inherent indexical qualities, its ability to secure the shadow as the substance fades, to cheat the finality of death. Alternatively they remind us of the fragility of life.[5]

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