The Golden Stairs

Oil on canvas
269 cm × 117 cm
(106 in × 46 in)

Wikimedia Commons

The Golden Stairs is one of the best-known paintings by the English Pre-RaphaeliteGroup of English artists formed in 1848 to counter what they saw as the corrupting influence of the late-Renaissance painter Raphael. artist Edward Burne-Jones (1833–1898). It was begun in 1876 and was exhibited at the Grosvenor Gallery in 1880.[1][2] It is one of many paintings Burnes-Jones sketched out in 1872 following a trip to Italy, and was finished in great haste in April 1880, just days before the Grovesnor Gallery exhibition was due to open.[3]

The painting depicts a group of young women carrying musical instruments while descending a spiral staircase. They are dressed in classically inspired robes in tones of white, shading to gold and silver.[3] The work is not based on a story, unlike many of Burne-Jones’s other works, rather it is investigating a mood, but what it represents remains open to debate. One suggestion is that the staircase, without a visible beginning or end, represents continuous movement.[4]

Models for the painting have been identified as Frances Graham, daughter of Burne-Jones’s patron William Graham, and Mary Gladstone, daughter of the British Prime Minister, Wlliam Gladstone. Burne-Jones’s daughter, Margaret, is pictured at the top of the stairs.[4]

The painting was purchased by Cyril Flower (1843–1907), later Lord Battersea, a politician and art patron,[1][2] and was presented by Lady Battersea to the Tate Gallery in 1924, in whose collection it remains.[4]

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